From Heavenly Harmony

A friend of mine called me into his office (where the really cool speakers are) to show me this video. Take a gander at it and just try to keep your jaw from dropping.

I love music, but my math skills are sub-par at best. And while I understand the basics of harmony, chord structure, and pitch, I don’t think I will ever fully understand the science behind harmonics. Perhaps that’s a good thing. Because I can’t see all of the scientific principles at work and don’t know the terminology, I am free to enjoy it freely from a more spiritual perspective. I don’t know about you, but when I look at those perfect patterns emerge from nothing more than tones, I see the handiwork of God. The One who drew order out of chaos and created beauty from the void is such a craftsman that even the things we cannot see are perfectly formed and balanced. I like the idea of all these beautiful patterns, like the mandalas prized by practitioners of Hinduism and Buddhism, floating around us every day, knitting our world together in a way we could never comprehend.

But unlike those beautiful works created through hours of painstaking labor, the designs made with salt happen almost instantaneously. And rather than decay or descend into chaos as the dial is turned higher, the patterns become more ornate and stunning. I’ve watched the video at least ten times, and I still gasp at some of the patterns that emerge.

John Dryden wrote one of my favorite poems called “A Song for St. Cecilia’s Day” in which he praises music, the force God used to call the world into being. The opening stanza reads:

From harmony, from heavenly harmony
This universal frame began.
When Nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high:
“Arise, ye more than dead!”
Then cold and hot and moist and dry
In order to their stations leap,
And Music’s power obey.
From harmony, from heavenly harmony
This universal frame began;
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

Music—harmony, sound, tones, pitches—is how order emerged from “the heap of jarring atoms.” Dryden imagines it is what God used to build the “universal frame” of our world, and he might not be too far off base. Genesis 1:2 says, “The earth was formless and void, and darkness was over the surface of the deep, and the Spirit of God was moving over the surface of the waters.” He called forth light, water, earth, sky, stars, birds, beasts, and man. I can’t help but imagine them coming together like the patterns in the video—order out of nothingness, called into being by the very voice of God.

The Almighty is present in everything. We just have to be ready and willing to see Him, even in the places we least expect. This was one of those places for me, and now that I’ve witnessed it, I know my God a little better. In some small way, I see Him, and I’m left clapping my hands like a child, overwhelmed by the revelation.

What do you think of this video? I’d love to hear your thoughts in the comments section below. Oh, and if you’d like to hear it with just the tones and vibrations rather than the lovely soundtrack, you can watch the video below. Beware, it’s super loud toward the end!