Love Letters

For those of you who read my previous post about storytelling and how my first attempt at it went, I thought I’d show you what I can do with a little more time and a keyboard in front of me. I submitted that blog entry for my creative non-fiction workshop class to get feedback, and now it’s time to re-submit the new and improved version, written for readers rather than listeners. I’d love to know what you think!

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Love Letters

Image from bikeacrossamerica.org.

I’m from Arkansas, which is something I don’t tell many people. Unlike other states with sexy selling points like Broadway, Hollywood, or Disneyworld, we’re best known for cotton, catfish, and the only diamond producing mine in the United States. We also grow half of the rice consumed in this country each year. Wahoo, right? Granted, being able to lay claim to Johnny Cash, John Grisham, and Maya Angelou is a bit of terrific, but it doesn’t make it any less painful that our state’s unofficial motto is “Thank God for Mississippi.”

Folks from “The Natural State,” we’re a little…different. One only need examine the teeming multitudes at a University of Arkansas Razorbacks football game to see why. It’s the only place in the South where grown men slap plastic Hog Hats on each Saturday and scream, “Woo pig sooie!” without thinking themselves the least bit odd. However, I can honestly say that none of those bleacher warriors can keep up with my great uncle Darrell when it comes to idiosyncrasies. My grandmother’s baby brother was the quintessential Qualls, even more so than his twin brother, Doug.

We Qualls, for those of you who’ve never been blessed to be in our presence, are some of the downright peskiest people on planet earth. I once watched my forty-year-old cousin, Lyndal, lock and unlock an automatic car door twenty times for no other reason than to irritate my great grandmother. He only stopped when she flipped him the bird and he couldn’t catch his breath because he was laughing so hard.

Image from fourfoolsdriving.blogspot.com

Darrell was a Qualls through and through. Tall, lanky, and long armed, he always made me think of Ichabod Crane, and like his literary look-alike, he took his food seriously. So much so that he brought his own onion to cookouts just to make sure he’d have enough. Always optimistic, he refused to let anything—even losing a finger to diabetes—get him down. “I can’t give you high fives no more, Jamers,” he once told me. “How’s about a high four?”

Though he never enrolled in college, he was highly intelligent and creative, which is a lethal combination in a super villain, but just borderline dangerous in regular folks. He was quick-witted and liked to tell stories he made up on the spot. For instance, I once saw him rubbing his bicep like it was sore and asked, “Uncle Darrell, does your arm hurt?” He replied, “Oh no, baby girl. I just love myself.” Another time, he actually was sick with a terrible case of the flu, and I asked him how he was feeling. His reply?—”Little Sister, I’ll tell you this. I’m not buying any green bananas.”

Like many men in the small town he called home, Darrell worked at the pulp mill. He was put on the night shift but wasn’t one of the men throwing wood chips into machines or hauling away the finished product. He sat up in the control tower watching lights blink and gauges move on a leviathan control panel. Unless there was a blockage somewhere in the machine, the water pressure got too high, or a possum got into the factory (which happened once), he had little to do. It was a job custom made for boredom, which was the last thing Darrell needed.

Image from (I’m not kidding) howtogetrideofpossom.blogspot.com

So he started writing letters to his first cousin, Leroy. Like many members of my family, Leroy was a veteran of a foreign war, but I couldn’t tell you exactly which one. It was likely Vietnam, but it could just have been the American Revolution. I honestly don’t know because the man never seemed to age. Many of my relatives, including Darrell, have gone on to their reward, but Leroy is still alive and bumping around. That’s why I’m convinced he made the same deal as Dick Clark, that or there’s a painting somewhere in his attic that shows his true age. My right hand to Jesus, the man looks the same as he did when I was nine and had a crush on Prince.

Leroy had a bad case of shell shock and was a little off in the head in a way that made him endearing to me when I was a kid. I remember he always wore tattered ball caps, their logos made indecipherable by sun and sweat, and he had small eyes, a large nose, and an overbite, which made him look like a rabbit. He never married and isn’t comfortable around a lot of people, but he had an imaginary friend named Oliver who was always after him for something. He turns the television off during the commercials to save energy and is always on the lookout for pieces of Styrofoam to add to his collection. But one of the oddest things he does happens whenever he comes around to eat a meal with us. He loads up his plate, grabs a napkin and fork, and proceeds to stand in a doorway to eat it.

“Leroy, you wanna sit down?” someone always asks, though we all know he’ll answer, “No’um, I’m just fine right here” and keep on eating. He comes back to refill his plate or glass and then returns to the doorway to continue chowing down. And he can put it away, perhaps because it can go straight down his leg.

One of Darrell’s chief delights was playing elaborate jokes on Leroy, some of which involved a bit of spontaneity. Once, he picked his unsuspecting cousin up at his house and said, “Let’s go for a ride.” Leroy assumed the jaunt might take them as far away as Memphis, less than two hours up the road. But when he saw the sign for Chattanooga, he knew he was doomed. They ended up driving all the way down to Florida to visit us.

Darrell repeated the gag years later and drove Leroy—who didn’t have more than ten bucks in his wallet or a change of underwear to his name—all the way to California. As they crossed the Great Basin and Mojave Deserts, Darrell got the bright idea to turn the on the car’s heater and laughed silently as Leroy tugged at his sweat drenched collar and repeatedly said, “I don’t recollect the desert being this hot.” When he told Doug about it, his brother could only ask, “Son, weren’t you a might bit hot, too?” Even Darrell’s answer was uniquely him—“Hammers, yes, I was hot!” I suppose, even for the prankster, great art is born of suffering, and Darrell was willing to do whatever it took in the practice of his craft.

A four-day practical joke is a fine thing, but Darrell was never one to settle. He once got this strange notion that he would pretend to be a salesman and write letters to Leroy to get him to purchase what he called “countless amazing and esoteric works of fiction and non-fiction written for the discerning reader.” In each handwritten epistle, he’d mention who he was and where he worked, chastise Leroy for not purchasing any of the books listed in the last letter, and proceed to offer him another fifteen or twenty titles. He also told him where to leave the cash and when, using a different drop point each time. Sometimes, it was as simple as leaving the cash under a rock on the corner of the porch, and other times, it involved hiding the money between cans of yams at the corner store.

He made up each and every one of the books that were on these lists. No self-help texts or works of classic fiction for Darrell. After all, his brain always needed something to do, especially at work, so he came up with titles like:

The Care and Maintenance of Your Dromedary Camel

Making Stockings for Lady Caterpillars

The Disagreements Between Longshoremen and Shortshoremen

Mouthwatering Recipes from Southern Ethiopia

How to Grow Yellow Blueberries

and (my personal favorite)— How to Fall from a Ladder with Dignity

Every four or five days, Darrell would write another letter and drop it in the mail, and he kept this up without fail for nearly seven years. Never once did Leroy order anything, and he never knew it was Darrell who was behind it all. Perhaps because it was harder to research a company without the Internet or Leroy wasn’t a naturally inquisitive person, but in all the years this went on, he asked very few questions about the letters. He just kept reading and tucking them away in drawers or throwing them away. Darrell also avoided the subject because he knew he’d burst out laughing if it came up—that and he knew he’d have to write any book Leroy ordered. And the secret sat undiscovered for years like the arrhythmia that would suddenly steal him from us in 2000.

Image from tasteofhome.com

At Darrell’s funeral, we were all sitting around the house after the graveside service. We’d done everything we were supposed to do. We’d read the twenty-third psalm. We’d sung “Great Is Thy Faithfulness.” We’d shaken hands with relatives we didn’t know and wedged smiles on our faces. We’d eaten lukewarm food on plastic plates. We’d spent an entire day sitting in uncomfortable folding chairs. But it still didn’t feel right. It wasn’t like Darrell at all. It was stiff, formal, and bland—like a rental house with its white walls and tan carpet.

At the end of a frustratingly long day, the ladies from the church packed up the legion of casseroles, pies, and salads that invariably show up where death comes to visit. As I picked petals off carnations, a flower I’ve long associated with death, we talked about how we’d rather just be chunked in a hole or cremated and scattered on the field at Busch Stadium. Finally, my aunt Nita asked, “What do you think Darrell would’ve said about all this?”

That question sparked a lengthy session of story swapping about the dearly departed over a fresh pot of coffee and slabs of Mary Katherine Schug’s homemade, three-layer coconut cake, the one that involved an entire bottle of Wesson Oil and reduced those who ate it to shameless plate licking. You can guess which story eventually came up. Mind you that up until this moment, Leroy still didn’t know. However, he looked at Doug and said, “Douglas, you mean to tell me it was Darrell Hunter Qualls who was behind them funny letters a way back yonder?”

When Doug (who, having lost a twin, was more heartbroken than he let on) nodded, Leroy did what might have been offensive to some. He laughed. Out loud. It was a joyful, full-bodied chortle replete with knee slapping and head shaking. It was an infectious kind of guffaw that caught us all up in it like a rip tide and pulled us briefly out of the quagmire of our grief.

It was just what we needed and what Darrell had been waiting for, but not because he would have felt he deserved anything special. There were actually two essential things to understand when it came to my great uncle—the sheer genius of his quirkiness and just how fiercely he loved. He could no more have left us brokenhearted than he could have turned down a plate full of fried catfish, and I think that was his reason for writing those letters all along.

How the People of Decatur Met My Great Uncle Darrell

The title might make this post sound a little more interesting than it really is, but isn’t that the point of a great title?

I did something a little different this Tuesday night—I participated in a live, open mic Southern storytelling event! If you’re in the Atlanta area and are interested, here’s the information you need. I participated in a group called Stories on the Square that meets the second Tuesday of every month at Eddie’s Attic in Decatur, Georgia. It’s an awesome venue where people go to actually listen to live music, but other groups can use the space.

I’ve done open mic events before, usually poetry slams and readings, so I was expecting a little something like that. I brought an edited and updated version of “Exposure” thinking I could do a fun, dramatic reading from it and get some more feedback. However, the event organizer saw me reading over my text and making cuts and told me that we weren’t allowed to read from a printout or even use any notes! YIKES!

I frantically scanned my document, trying to memorize a basic outline and a few of the better images and jokes, when Wayne (my amazingly intelligent husband) suggested, “Why don’t you just tell the story about Darrell and the letters?”

I jumped on the idea instantly because I’ve told the story so many times I have it nearly memorized. I instantly felt more relaxed and started working to remember the better details and tangents that I could include to make it more interesting. I know it was a million times better because it came out of my head rather than from a page. I could just tell a story organically and let it ride rather than fight to follow a pre-set template.

If you’re interested in joining me next month and want to avoid the same near catastrophe I did, here are the rules. The Facebook site I linked to above is where you can get the month’s prompt or topic. For instance, this month’s choice was “rule breaking,” but many of us didn’t know before the event because we were new. Hence, the stories ranged from musings about buddies lost in Vietnam to urban chicken farming and even crazy people you meet when you work at a law firm. (“I am Rose M. Jones, comma, the I AM, the Superior Goddess of Love.”)

Each participant gets seven minutes. However, if your story is engaging, you can push that a little bit. Also, if fewer people are there to tell stories, you can have a little more time. Just plan accordingly. As I said, you cannot use any notes. You cannot do a “stand up” act, sing (unless it’s relevant to the telling of your story), or go on a political rant. Your story needs an engaging hook, it needs to follow a clear narrative pattern, and it needs to have a definite, punchy ending. It’s all the stuff that a written story requires…plus a theatrical element with regards to presentation. Things like body language and tone of voice enter into it. Some of the tellers were hilarious because of of what they said AND how they said it.

If you’re Southern, you know at least one great storyteller. He or she usually holds court on a front porch and can keep people there well past the time they meant to leave as they ream out one hilarious, poignant, or bizarre story after another. This monthly meeting is an attempt to keep that art form alive, and I think it’s another great way to use storytelling skills and practice my writing. I highly suggest you join us at Eddie’s Attic next month or, if you don’t live in the metro Atlanta area, to find a similar group in a neighborhood near you.

Photo courtesy of Shannon McNeal

Here I am telling my story, which went a little something like this…

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I’m from Arkansas, which is something I don’t tell many people. Would you be enthused about admitting your from a state whose unofficial motto is “Thank God for Mississippi”? (That’s so we don’t have to come in last in everything.) Well, folks from Arkansas, we’re a little…different. None more so than my Great Uncle Darrell. My grandmother’s youngest brother, one half of a set of twin boys, was the quintessential Qualls (their last name). Qualls, for those of you who’ve never been blessed to be in the presence of one, are some of the downright peskiest people on planet earth. I once watched my cousin repeatedly lock and unlock an automatic car door twenty times in rapid succession. He only stopped when my grandmother flipped him the bird, which sent him on a laughing jag.

So Darrell was a Qualls through and through. And he was highly intelligent and creative (though not college educated), which is a lethal combination in a super villain but just borderline dangerous in regular folks. He was quick-witted and liked to tell stories he made up on the spot. I once saw him rubbing his bicep like it was sore and asked, “Uncle Darrell, does your arm hurt?” He replied, “Oh no, baby girl. I just love myself.”

Another time, he actually was sick with a terrible case of the flu, and I asked him how he was feeling. His reply? It was,  “Sister, I’ll tell you this. I’m not buying any green bananas.” (I’ll leave that one up to you to figure out. It’s worth it in the end!)

Well, Darrell once had a job working at a paper mill on the night shift when there wasn’t a whole lot of “pulping” going on. He was up in the control tower watching lights blink on and off on a gigantic board (hopefully in the right order). That made for a lot of staring, and (if you’re Darrell and have more brains than you know what to do with) a whole lot of boredom.

So he started writing letters to a friend named Leroy. This was a guy who hung around with Darrell and spent a lot of time with our family. Leroy had fought in a war. It could have been Vietnam, it could have been the American Revolution. I honestly don’t know because the man never seemed to age. Many of my relatives have gone on to their reward, but Leroy is still alive and kicking. I personally think he made the same deal as Dick Clark.

Well, Leroy had a bad case of shell shock and was a little off in the head in a way that made him endearing rather than scary to me when I was a child. One of the oddest things he did happened whenever he came around to eat a meal with us. He’d load up his plate, grab a napkin and fork, and proceed to stand in a doorway to eat it. “Leroy, you wanna sit down?” someone always asked, though we all knew he’d answer, “No’um, I’m just fine right here” and keep on eating. He’d come back to refill his plate or glass and then return to the doorway to continue eating. And he could put it away, perhaps because it could just go straight down his leg. I dunno.

Well, Darrell got this bright idea that he would write letters to Leroy in which he posed as a bookseller trying to get him to purchase “countless amazing and esoteric works of fiction and non-fiction written for the discerning reader.” In each letter, he’d mention who he was and where he worked, chastise Leroy for not purchasing any of the books listed in the last letter, and proceed to offer him another fifteen or twenty titles.

He also made up each and every one of the books that were on these lists. No self-help texts or works of classic fiction for Darrell. His brain needed something to do. Wouldn’t you like to read:

The Care and Maintenance of Your Dromedary Camel

Making Stockings for Lady Caterpillars

The Disagreements Between Longshoremen and Shortshoremen

Mouthwatering Recipes from Southern Ethiopia

How to Grow Yellow Blueberries

and (my personal favorite) How to Fall from a Ladder with Dignity

Well, every four or five days, Darrell would write another letter and drop it in the mail. For seven years, this happened. And never once did Leroy order a book. Leroy also never knew it was Darrell who was sending the letters.

At Darrell’s funeral many years later, we were all sitting around after the service. We’d done everything we were supposed to do. We’d read the twenty-third psalm. We’d sung “Great Is Thy Faithfulness.” We’d shaken hands with relatives we didn’t know and forced smiles onto our faces. We’d eaten lukewarm food on plastic plates. We’d spent an entire day in uncomfortable folding chairs. But it still didn’t feel right. It wasn’t like Darrell at all. It was stiff, formal….boring. Everything Darrell had never been.

Well, we were sitting around after the service picking petals off carnations, a flower I’ve long associated with death, and talking about how odd a funeral actually is when someone mentioned Darrell and asked, “What do you think he thought about it?” Well, as we are wont to do in the South, that question sparked a lengthy session of story swapping about our dearly departed Darrell. And you can guess which story came up. Yep, Leroy and the letters. Mind you, Leroy still didn’t know. However, he looked at Darrell’s brother, Doug, and said, “Douglas, you mean to tell me it was Darrell Hunter Qualls who was responsible for all them funny letters all them years ago?”

When Doug (who was more heartbroken than he let on at the time, what with losing his twin and all) nodded, Leroy did what might have been offensive to some. He laughed. Out loud. It was a loud, full-bodied chortle full of joy and replete with knee slapping and head shaking. It was an infectious kind of laugh that caught us all up in it like a rip tide and pulled us briefly out of the quagmire of our grief. 

And I can’t help but think that was Darrell’s reason for writing those letters all along.

 

Black & Blue

Because I’m an overachiever who likes making too much work for herself, I volunteered when the instructor of my creative non-fiction writers’ workshop asked for three people to provide material for a feedback session this week. We were asked to chronicle our most embarrassing moment (I assumed in graphic, gut-wrenching detail). Here’s my rough draft. Let me know what you think! 🙂 

Also, I can always use more writing ideas. Would you care to share your most embarrassing moment below in the comments section? I’d love to hear them!

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Black and Blue

I’m crippled by stage fright, but not in the traditional sense. My phobia has nothing to do with bright lights, a sea of unfamiliar faces, or the heart-thumping panic caused by forgotten lines. No, I’m perfectly at home on a stage. The stairs I have to use to ascend to and alight from it are what make my stomach hula hoop around my spine. And like other fears, this one was gained by a moment of phenomenal public humiliation so severe it deserves a Ken Burns documentary.

In 1996, I auditioned for Tri-State Band, a once-a-year instrumental extravaganza held in Tallahassee for teenage ninja music nerds from Florida, Georgia, and Alabama. Each of the three hundred students who attended had been nominated by directors and had had their permanent records (those sinister files written in the blood of truculent ne’er-do-wells) scoured by the committee to check our academic fitness. Once we passed that “smell test,” the last hurdle to leap over was the audition for chair placement.

I had tried out at Florida State University the summer before for their institute, and I had pulled the musical equivalent of a hat trick—earning principal French horn for gold ensemble, first chair for brass choir, and primary horn for the brass quintet selection process. Seriously, if I’d done any better, Tonya Harding might have gotten jealous and had someone bash me in the face with a crowbar. Riding high on the fumes of my previous success, I made a critical miscalculation and assumed I could repeat that trifecta, sans practice.

My previous audition had been with a handsome young teaching assistant who had flirted shamelessly with me, but when I saw a horn player run out of the audition room in tears I knew he was nowhere near the place.

Another player nearby who bore a striking resemblance to Steve Buschemi whispered, “What’s with her?”

“She must have been kapped,” another replied.

It was at this moment that the large bubble of self-assurance I’d been riding suddenly popped.

Kapps…as in Dr. William Kapps, FSU’s Professor of Horn, Fullbright Scholarship winner, and member of the Philadelphia Orchestra, would be judging my audition. I knew the man only by reputation and had heard him described as a buzz saw with a moustache who handed out tongue lashings so severe they made the leaders of the Spanish Inquisition shake their heads in astonishment. No twenty-something libertine with a ponytail and a thumb ring awaited me today because a man I had long imagined as Hermann Gӧring would be sitting there instead.

Auditions, for those of you who have never endured one, are like gaining an audience with the great and terrible Oz. You stand outside the door in your new ruby shoes, your eyes dyed to match your gown and your sweaty palms nervously gripping your instrument as you wait for the bulbous, flaming emerald head to address you. However, more often than not, your adjudicator is like the man behind the curtain, a kind soul, or totally silent.

I’m sorry to say that this was the exception to the rule.

Most of the five minutes we spent together is a blank—a PTSD-induced hole in my memory I’m not keen on piecing back together. Notes danced on the page, elusive and impossible to read, and I forgot every scale I’d ever manage to poke in my gray matter. Needless to say, the Titanic went down with greater grace than I. When the rankings were posted later that afternoon, I wasn’t surprised to see I was on fourth part—at the bottom of the section. But I was a bit taken aback when I saw one poor schmuck had actually endured a worse audition. I’d been spared the indignity of sitting last chair at least. In that moment, I experienced something akin to the relief of a red-shirted ensign sent down to the planet’s surface with Captain Kirk, the one who wasn’t blown to pieces by a Klingon or feasted on by a Gorm.

I sulked silently throughout the three days of rehearsals, plotting ways to give the ten horn players who separated me from first chair the Black Death…or at least a severe case of food poisoning that’d leave their bowels loose and so terrified of high notes they’d beg me to take the part. But alas and alack, they remained as impervious to disease as a platoon of sparkly, cold-chested vampires.

So I decided that if I couldn’t steal the stage with my instrument, I’d rock it with a dynamic fashion statement. This is more difficult than it sounds for a musician because, well, we can wear any color we want—as long as it’s black. Thankfully, I’d packed an entire suitcase of ebony attire that would’ve made Morticia Addams jealous and filled the extra pockets with the best costume jewelry Claire’s had to offer as well as an ample selection of hair gewgaws.

After a whirlwind try-on-a-thon in the dorm room I was sharing with two other participants, I ended up selecting an ensemble as flashy as it was ill-advised—a pair of three-inch heels (something I’d never worn before because I already stood 5’11” flat footed), a clingy side slit skirt, and a long sleeved kimono top. A hair-do held in check with chopsticks and enough spray to erode a large portion of the ozone layer above Florida along with a dramatic dash of make-up completed the look.

It would have been perfect had I not had to walk. Or sit. Or play my horn—all normal tasks rendered impossible because I’d dressed myself like a monochrome, precariously balanced piece of sugar art. I slogged through the evening, grateful for the less challenging part and a seat in the very center of the orchestra because I spent a majority of the concert blowing stray pieces of my coiffure away from my eyes and playing a spirited game of tug-of-war with my skirt.

But that’s not the embarrassing part. Oh, that it was.

After the mass ensemble played, the stage had to be reset for the smaller groups and soloists who had been tapped to perform. That meant we had to gather our horns, sheet music, and anything else we could carry and head for, you guessed it, the stairs. Carrying only my nickel-plated horn, Brigitte (named after the French sex kitten, of course), I wobbled my way to the stumpy staircase located stage left.

Six steps. That’s all it boasted, a half dozen zigzagging plateaus of garnet carpet made shabby in the center by countless feet. It was no gauntlet by any stretch of the imagination, yet, for some reason known only to God, the moment my left foot touched down on the first one, it found the single millimeter of slick space to be had. Gravity handled the rest.

You’ll remember that, at this moment, I’m carrying a French horn, one of the most unwieldy instruments in the civilized world. Seriously, putting two dogs in a burlap sack is less onerous. Carry it by the top and let in hang by your side, and you’re begging for a dent in the bell. Clutch it to your chest, and you have only one arm to negotiate tight spaces and open doors. This is why most horn players choose to carry it under one arm with the bell facing backwards; it keeps it close and frees up the second hand when necessary. This is where Brigitte was nestled when I felt myself begin to fall.

Allow me a brief pause in the action to explain something about musicians and how protective we are of our instruments. I once knew a trombone player who said you could tell how old a trombonist was if someone tried to, as he put it, “kick ‘em in the coin purse.” The rookie protects the nards at all costs while the aged player sacrifices his twig and berries instead of the horn because, once a slide is bent, a person stands a better chance of proving String theory than he does getting it straight again.

Simply put, bones heal. Metal doesn’t.

This is why, rather than try to catch myself and sling my horn around like a kettle bell, I let the fall happen and spent the time between take off and landing shifting the horn to my chest. I was clutching it squarely when I landed on my ample rear in front of a thousand people and, like some macabre Slinky, plopped down the stairs with my teeth knocking together in my head.

Other than a few poorly raised children whose parents apparently never told them it was rude to point…or to laugh uncontrollably at another’s pain, no one reacted to my failed dismount. (In retrospect, I can’t blame them. It’s pretty damned hilarious to watch people fall; millions of YouTube videos attest to this.) It goes without saying I was mortified, but not as much as I would have been if I had sacrificed my instrument to save myself a few bruises or what remained of my dignity. However, when I looked up at the sea of black clad figures around me, all I saw were smiles of approval. Unlike those in the audience, my fellow performers hadn’t noticed me taking a tumble. They only saw a musician executing choreography worthy of Bob Fosse to protect her axe. And I like to think that if they hadn’t been cradling their own, they would’ve applauded my virtuoso performance.